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Monday, March 16, 2009

The Lesser Arts of Life


Selected Writings Of William Morris Abbreviated and Annotated
as Applicable to the Art of theTraditional Hand Engraving of Guns CONTINUEDSelected quotes from The Lesser Arts of Life by Stephen OlinFull text follows...the lesser arts, (ed. note, the "lesser" arts being pottery, furniture, weaving and etc.) when they are rejected, are so treated for no sufficient reason, and to the injury of the community; through them that I am the servant of the public, and earn my living with abundant pleasure. Then comes the question, What are to be considered the Lesser Arts of Life? The Greater Arts of Life, what are they? what I mean by an art is some creation of man which appeals to his emotions and his intellect by means of his senses. All the greater arts appeal directly to that intricate combination of intuitive perceptions, feelings, experience, and memory which is called imagination. All artists, who deal with those arts, have these qualities superabundantly, and have them balanced in such exquisite order that they can use them for purposes of creation. ...we have two kinds of art: one of them would exist even if men had no needs but such as are essentially spiritual, and only accidentally material or bodily. The other kind, called into existence by material needs, is bound no less to recognize the aspirations of the soul and receives the impress of its striving towards perfection. If the case be as I have represented it, even the lesser arts are well worthy the attention of reasonable men, and those who despise them must do so either out of ignorance as to what they really are, or because they themselves are in some way or other enemies of civilization, either outlaws from it or corrupters of it. if our houses, our clothes, our household furniture and utensils are not works of art, they are either wretched makeshifts or, what is worse, degrading shams of better things. Furthermore, if any of these things make any claim to be considered works of art, they must show obvious traces of the hand of man guided directly by his brain, without more interposition of machines than is absolutely necessary to the nature of the work done. I want an end of believing that we believe in art-bogies; I want the democracy of the arts established: I want every one to think for himself about them, and not to take things for granted from hearsay; every man to do what he thinks right, not in anarchical fashion, ...but feeling that he is responsible to his fellows for what he feels, thinks, and has determined. In these lesser arts every one should say: I have such or such an ornamental matter, not because I am told to like it, but because I like it myself, and I will have nothing that I don't like, nothing; and I can give you my reasons for rejecting this, and accepting that, and am ready to abide by them, and to take the consequences of my being right or wrong. Of course such independence must spring from knowledge, not from ignorance, and you may be sure that this kind of independence would be far from destroying the respect due to the higher intellects that busy themselves with the arts. On the contrary, it would make that respect the stronger, since those who had themselves got to think seriously about the arts would understand the better what difficulties beset the greatest men in their struggles to express what is in them. Anyhow, if this intelligent, sympathetic, and serious independence of thought about the arts does not become general among cultivated men (and all men ought to be cultivated), it is a matter of course that the practice of the arts must fall into the hands of a degraded and despised class...What other blessings are there in life save these two, fearless rest and hopeful work?
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